|
Contralto solo in Alexander Nevsky Cantata by Prokofiev with the Sinfonica de Puerto Rico in San Juan, Puerto Rico
El Vocero , May 2008
"Cheri Rose Katz displayed a rich voice of dark, majestic timbre and deep sonority. The long musical phrases, constructed with great skill and excellent articulation. were very organic."
Messiah:Thousands gather at Manger Square in Bethlehem
United Jerusalem Weekly, December 2007
The first to take the stage was the Prepare the Way Concert tour 2007 choir. They captivated the audience as they were joined by members of the Palestinian Youth Orchestra and internationally known soloists Stuart Neill, Sandra Lopez, Cheri Rose Katz and Horace English. They offered a message of justice and peace in Bethlehem and to the whole world as they concluded their performance.
Rigoletto: Greensboro Opera’s Production Balanced and Satisfying
William Thomas Walker, Classical Voice of North Carolina, November 2007
The villainous brother and sister, Sparaficile and Maddalena, were taken by experienced low-voiced singers. As the voluptuous Maddalena, mezzo-soprano Cheri Rose Katz’s lush, full sound bordered on that of a true contralto.
Classical Singer Article. 2/2007
Joe Connolly
Perseverance Pays Off
Berlin: World Premiere, Lorenzo Palomo's Dulcinea
Ópera Actual, June 2006
The Contralto, Cheri Rose Katz, embodied the perfection of the earthly Teresa.
Berlin:Katharina Wagner's production of Il Trittico
Musical Opinion Classical Music Magazine UK, May 2006
The accompanying roles, particularly Cheri Rose Katz as Frugola, were all cast from strength.
Berlin: DAS RHEINGOLD und DIE WALKÜRE:
Der Neue Merkur, 03.24. 2005
Among the altogether good singing and even better acting of the Rhine daughters (Fionnula McCARTHY, Woglinde; Ulrike HELZEL, Wellgunde) Cheri ROSE KATZ, as Flosshilde, distinguishes herself.
Berlin: Salome
Klassik.com
Cheri Rose Katz, in the thankless role of the page, makes one listen attentively!
Berlin: La Traviata
Klassik in Berlin 12/22/2004
Apart from the sovereign Cheri Rose Katz (Annina), the remaining singer ensemble was too lackluster.
The Bulletin 2004
The Bulletin 2004
The March concert of The Unknown Mascagni, with acclaimed author and pianist, Alan Mallach, was described as, “A beautiful voice; sang with depth and passion.”
“Two arias from the opera Carmen, displayed the mezzo-soprano’s acting ability and flexibility, as she transformed herself into the flirtatious, full-voiced Gypsy. Ms.Katz, has a strong expressive voice, that can be delicate or powerful, as the music demands.” -2003
Lola in Cavalleria Rusticana
Dan’s Paper 2003: Hamptons
Ms.Katz’s performance of Lola, was described as,” coupling a rich mezzo-soprano voice with looks that made you understand why Turriddu was tempted and why her husband took his revenge on him.”
Zanetto
The Newark Star Ledger 2000
Ms. Katz performed the title role in Mascagni’s rarely done Zanetto, with Artistic Director, Lucine Amara’s company NJ Association of Verismo Opera. The young mezzo praised for, “beauty of tone and stylish musicality.” “a superior voice and admirable performer.” – 2000
Southampton Press 1998
Southampton Press 1998
“The young mezzo, possesses a dark and beautiful voice. Her professionalism impressed one and all.”
|
